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JimmyTheCaterpillar

164 Audio Reviews w/ Response

All 327 Reviews

this goes nuts! i really the groaning that becomes chorus that becomes groaning again. so cool

anthonyragus responds:

Thanks Jimmy!

i tragically think the brass is a little too fat in conjunction with the rest of the piece, though the rest of the instrumentation is very gelled.

and then when the shift at 2:30 happens and the pad finishes off with a scream, there's this tension that comes from awakening from a dream, like the listener is being thrust into wonders and car rides to beautiful places and it's kind of horrifying in the exciting way that life is. I love the pitched up pad that replaces the brass here, i love how it goes off the rails for a final 8 or so notes that go up an octave and yet still feels very controlled. the full stop here does feel harshly abrupt on my ear, for better or for worse.

that said, i love this subdued and bare beginning to this outro and we return to the original instrument and it fits super well in here for sure, maybe still a little loud in the mix.

the ending made me smile --

idk Pondererer i originally reviewed a song to return the favor for you reviewing mine but tbh i think i just really like the work and the vibes you're bringing into the world <3 so thank you, i'm sincerely enjoying these!

Pondererer responds:

Dude you don’t know how much I appreciate these man. Thanks so much ❤️. Have a good day boss :)

very liminal, but in a soft and comforting way.

i love the flute // i love the flute that wants nothing other than to sing a little tune when the mood strikes it, regardless of what the rest of the song wants to do.

i feel like the ending is a bit cut-off, but other than that, this is hype :)

Pondererer responds:

Yo thanks for this one too lol

the first 20 seconds are very inviting and the slight tone shift with the pad cutting in shortly after only drew me in further.

right when the vocoded/wah's start to feel a bit overly clustered at the 1:07 mark, the guitar takes over with great timing. the strings are meandering and curious, and the whole song begins to come into its own that way, in an inquisitive sense.

it's a really peaceful track // kinda sandy. it's nice.

the second set of phrases from the guitar are a little higher pitched and almost mold into a keyboard which i think is very lovely. the bass does its job throughout. here, at 3:12 my ear notices the first and only set of repetition in the song that feels a bit overdone. you could probably nix that last cycle for the sake of succinctness.

the track closes out with a pitchbend and i'm a sucker for that, i can't lie.

this was chill as hell and i'm glad you reviewed my song so i could think to check out yours! thank you :)

Pondererer responds:

Wow, now I feel bad for leaving a lower effort comment on your post lol. Thank you so much for this boss 😁

pretty dope to listen to!

50Steaks responds:

If you liked this you’ll probably like my other MSM remixes.

i love the reverb/shadiness of the drums against the clean orchestration. this really creates an unease at the rhythm of the song which is perfect for the vibe. little details like that i feel really can set a piece apart from something similar; this is great work.

and the series of the solos, starting with the violin is so badass. great transition to a very transitional second half, each with their own stories and moments that carry the central theme.

really terrific!

Tangerine responds:

Thank you my friend! I am glad you liked it :)

tbh and i know that this probably isn't that helpful,,,,, i think you've created such a more interesting ideas in the build-up/slower parts, the stuff from literally 0:00 to 0:43 was so weird and textured and layered with sound and noise, so densely packed I was really moved to this eerie place. I thought it was really awesome and i was very hype to think about how you could explore that sound in the 4-minute runtime presented.. and the drum and bass heavy production kicked in and I was,,, bummed? idk i think shit was very evocative without the standard drums and aggression that would otherwise be fun.

AriaLowo responds:

the input is appreciated, thank you c:

do NOT eat that little caesars bullet!!!!

this is a nice little party, like lukewarm tea and backyard scones or something. very kind!!!

Themon4 responds:

Half of my screen is bugged on ng and for me it looks like it says "Eat that little ceasers bullet!!!!" 👍, im assuming it says do not just before, but its funnier this way lol. Enjoy da party, and tank for da review

this is hype, i love the fluttery synths!!

I feel like the midpoint that's a bit more lowkey/without the leads could use some drumfills to keep interest up, but there is most definitely an appealing energy here!

i like the effective and short outro as well.

Themon4 responds:

Yeah that midpoint used to be so much worse and I just kinda tried to put a little bandage there to cover the cut but It didint rly work out , but hey, Could have been worse

i love the pitter patter yeah!!

i love the little hopscotch you're playing with the beat and how you skip up at the perfect moment every time!
i really enjoyed the subdued ambient nature of this track, though it was fun and surprising enough.

i feel like i stumbled across a little corner well-decorated and unique.

DjSamedi responds:

Thank you for the review! It felt like it belongs in a cozy little shop, with a gentle little creature selling you its various wares. Ambient is a great choice of words

writer that is trying to resonate well and punch ppl at bar shows -- i use smiley faces with reckless abandon / on a quest 4 life

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